The Trader world turning on the screen constituting one side of the conference room is opulent with detail: mazes of snowy peaks and crags abut deserts with arcs of dunes, delicate as lace. Endless dark forests. We appear to be a mere thirty miles above, if that. The low ceiling, the pragmatic steel-girded construction of the remainder of the gray room tells you that this is a military ship. We’ve been presenting and discussing for three hours and have only reached consensus once, at the beginning, when we decided it should be morning though of all the time frames we came from, none would have made it such. The image of the world is there to remind us of the gravity of our responsibility; in fact we are nowhere close to the satellite that is capturing the video. Where we are is nowhere. We are better protected by darkness and probability than the elaborate defenses of the ship itself.
My nose itches. Rayl Marsen is browbeating us with statistical
predictions; the downturn in the Free Alliance's light industry production will
become exponential over the next year if the Union's successful depletion
sorties continue to grow quadratically as they have over the last year.
The opposite wall is a adorned with
a piece of symbolic, historical art. The
right side is an architecture of vaguely primitive and technological symbols
and six figures, two of which are human.
The man and woman are traders, like myself, and apparently they have landed
on a picturesque, primitive planet in the process of exploring the galaxy. Judging by their environment suits it is
about one hundred years ago. The man is
using a portable translator in an attempt to communicate with four curious Cabaloids,
the woman is staring wistfully at the starry, evening sky. Inevitably, Marsen had it hung to flatter us.
I wonder what these caricatures
could be thinking on their picturesque, unlikely planet. But we are nowhere. I know that he is about to say that unless
we, the Independent Association of Trader Worlds, join the Free Alliance they
will collapse. I also know that for once
he isn't exaggerating and that nevertheless we will say no.
We will say something else, too.
After a frugal, exotic lunch, it is
my turn to speak. I recall how we have
traded with the Free Alliance throughout the last thirty-seven years of war
against the Union, in spite of the Union's pressure not to do so. I show a couple of compelling images of
Trader cities destroyed by the Union as a result of our refusal to honor their
weapons embargo. Where the image of the
planet was, a burned, naked child, three times life size, stares at us from
rubble; war always looks the same. If
she's still alive, and she could be since that was the last attack on a major Trader
city, she'd be ten years older than I am now.
The Union no longer harasses us; now
they buy our weapons. "I believe
you, Marsen, the time is desperate. But
we have survived as a confederation for fifty years by not taking sides. I know you consider it a matter of black and
white and principle: you are the freedom
loving rebellion, the Free Alliance, while they are an oppressive Empire, the
Union. But after thirty-seven years of
war, and in spite of your platitudes I see little difference between the
dictatorial repression your peoples live with as a necessary concession to your
war effort and the Union's unabashed political censorship and control."
Marsen stands suddenly to exhibit
his sense of offense but his face is unchanged.
He is a better politician now than he was seven years ago when I met him
for the first time. Now his red hair is
gray at the temples and his aquiline nose and somber expressions give him a
presence that his shortness and bellicosity used to defeat. Their uniforms have grown more ornate since
then. They used to be much like ordinary
clothes with the addition of a small insignia denoting rank; now there are stripes
and symbols. When they win an engagement
in an inhabited solar system, which of course is where most of them are, they
choose some ferocious animal native to one of the planets and use its likeness
on their decorations.
"Rayl, I’m not being
captious; I'm speaking plainly. As you've said, we don't have much time. In spite of my concerns about your political
system and culture, I have no doubt the fall of the Free Alliance would be
disastrous for the Independents; as soon as your worlds were secure the Union
would begin annexing us, a system at a time.
And, by the time we could organize militarily it would be too
late." Marsen sits down slowly, he
is placated, momentarily.
"So, suppose, we cut off trade
with the Union, announce our intention to support you economically and
militarily, what would be achieved?"
I walk between the two groups to the other end of the room and stand in
front of the burned child. I tap the
radio remote in my pocket and she is replaced by whiteness, different statistics,
a graph. "For a few weeks, things
are better: the Union finds the number
of possible, antagonistic planets and bases has increased by an order of
magnitude, your supply problems vanish and, with the assistance of our
irregular planetary protection forces, the Alliance wins one or two major
engagements. But then the Union begins
to retaliate effectively. Most of our
assembly and heavy industries are concentrated on fourteen worlds and everyone
knows which fourteen those are. You know
it's nearly impossible to defend large industrial centers; we wouldn't be here
if you didn't. Of course, given their
importance we could dedicate a large percentage of our collected forces to
protect them, but would your civilians, as used to hardship as they've become,
understand the need to give up their lives for a plant that manufactures, say,
uniforms?" This is an allusion to
the riots in the Merin solar system.
"Ours wouldn't.
"I don't know where we’ll be in
a thousand days’ time, maybe we'll be in this room again or maybe this room
won't exist. Maybe that planet won't
exist," I push a button and streaming clouds over the sea and a radial city
on a coast appear. "But wherever we
are, our joining you will not change what needs to be changed. You don't need to change the scale of the
wars; you need to change their structure."
I apply pressure to the button in my
pocket and my last image appears. It took
half a day to find a suitable one in the library. The screen appears to be made of rough, gray
stone. Cut on the stone is the coarse, image of an ancient vessel for traveling
across water. The vessel has a square
sheet which allows it to be propelled by wind and the vessel itself, though
long and narrow, is filled with men wearing what were probably conical, metal
hats. The vessel bristles with their
spears and several of them hold ropes leading to a mesh of ropes at the base of
the square sheet bellied with wind.
Clearly, controlling the vessel was a complex and technical matter. The front of the vessel is a tall, graceful
carving of the long neck and square, fierce face of a forgotten mythological
animal, a dragon.
"This image comes from a
rock. It's about seventeen hundred years
old. Our idea comes from some new
technology, they often do."
"What does this have to do with
us?" Someone, a Trader I don't
know, says.
"That is precisely the
point."
The problem is to make the language
natural, a living organism. The others
don't grasp that. I wish I could do it
all alone but there's too much to do and it needs more diversity than a single
person can give it. It is afternoon,
Helst has written twice as many communique generating algorithms as he needed
to in the last eleven hours and I have added just over a thousand words to the
dictionary. It's time I returned to the
grammar yet again. When I stopped last
time I'd only sketched out the locative plural and none of the irregular
forms. We take the elevator down the 97
floors to the bottom and walk to the waterfall.
"I've been stealing,"
Helst leans low over the glass railing and stares at the tiny crescents of the
ocean waves below. "Stealing
ideas."
I lean over, too, to see if he is
looking at anything more than the water.
"No one cares, unless someone could tell you've been
stealing."
He looks over at me. Just a short distance to my right, water is
spraying out over the rocks and then dropping in the empty air. You can follow a single drop down for
hundreds of feet if you pick it out when it's first hanging in the open air.
"It's like falling." He grins, reaches over and shakes my shoulder
until I start and grab the glass rail because we were leaning over so far and
there is so far to fall.
"What are you stealing
from?" I recover my balance.
"The sagas. Not the big things. Just sometimes, after I've translated my
fifteenth food shipment to the supply forces on Elgin, I do a personal about a
man who thinks his neighbors want his things."
"That's what you're supposed to
do."
"I
know that. When I first started doing
it, I did it because the ideas were different from mine. Different subjects. 'More diversity.'" He is quoting General Chancer's speech
yesterday on the planned development of the military organization and is
mimicking the old man's quavering, indecisive lower lip.
"Good."
"Now they're not."
"Creating a hundred gigabytes
of communication a day I'm not surprised.
So you're thinking too much that way, find something else. Another culture, other stories."
"That's not it. There are plenty of stories left. It's just that I look back all those years
ago and I don't see the differences between them and us anymore. Or I do, but they seem insignificant. We're like them already. Did you know that? But we're lying."
"Stealing is a good idea,"
I say. "From other cultures, other
histories, other planets. The important
thing is to make it consistent. And inconsistent,
too."
"Maybe I should take a
break. You took a break from
politics."
"Yes. Do you know how important you are to
this?" I give his arm a hard
squeeze.
"Yes. Will you go back?"
"I might run again when this is
finished. You said we were like
them."
"There's a plainness about us,
about Trader Cultures generally, a straightforwardness."
"What we're trying to do isn't
what I'd call straightforward."
"They were clever too. There's a legend about man who was a
skald. Do you know what a skald
is?"
"A member of a kind of poets bureaucracy?"
"Yes. Anyway, he hears a legend of a people that
have the most extraordinary poetry and he goes in search of them. When he finally finds them he learns that
their poetry is all concentrated into one word and because of his search he
already knows the word implicitly, the word is "Undr." Wonder. Then he learns that it's a different word for
each person in the clan."
The young people are not what I
expect. But the ships are: sleek, black fuselages, eight, sweeping
winglike appendages, each painted with a giant, "ancient" pattern,
signifying flight. It's all very
dramatic here in the tropical jungle on Avius.
Helst made up these glyphs; I wish he were alive to see them now. Each pair of wings are receivers and
transmitters: whatever electromagnetic
energy they encounter on one side they broadcast through to the other; the ships have the capacity to be utterly
invisible. Their attacks are sudden,
efficient, enigmatic. The wreckage the
union found two months ago was intentional; we spent weeks constructing it and
its computer files with the right proportions of absences, lies and melted
titanium. Now they know that we, or
rather our conception, "the North,"
a previously unknown trading planet outside the Association, has
suddenly become terribly and effectively bellicose. We, or they, have come from nowhere, like the
Danes, Norwegians and Swedes two thousand years ago.
But the young people are not what I
expect. Half of the ships are automated,
like the wreckage we built, and are used for the more marginal portions of the
missions, of the remaining half, half again are flown by mercenaries. The last quarter are flown by these
kids. After my talk, one of them follows
me out onto the observation deck. He
leans against the wall, thrusts his hand back through his straight, black
hair. His predatory grin shows perfect,
white teeth. There is something of the
conscious berserker in his fluid movements.
He folds his arms. "It was very good to hear someone talk about
home."
The way they speak the language is so
strange. One of the ancillary linguists
suggested it in the last stages of the language project. They flattened all the vowels. It was an easy way of arbitrarily creating
the cohesiveness of accent. I nod. Below us, one of the ponderous black ships begins
to roar, rises majestically and hovers ten feet in the air.
"You're not from the
North." The young man aims his grin
at me.
I look to his dark eyes to see what
he means. For a second I wonder if
something terrible has gone wrong but then I understand what he means. He, himself, is from the Northern islands of
North; my accent indicates I am not.
"No, but I've lived there most
of my life, since I was eighteen."
He nods. I wonder where he is from, though he no
longer knows. Where he will go with all
his new wealth when his term is ended?
Memory reconstruction is rarely completely successful; he was told that
before he made the choice to be forced to forget.
"I lived by a waterfall, too,
when I was a child," he says and
looks at me expectantly. The roar of the
ship softens and I look down. It still
hangs in the same place, but it is becoming transparent. Suddenly, it is gone. "We had a white house and there was a
trail to the bottom of some falls."
It's my turn to grin and say
nothing. Demographically, there is
little chance he actually grew up near anything like a waterfall, or even on a
world where it was reasonable to live outside of a dome. I look out over the base and the tropical
forest surrounding it and wonder again where he really came from and what
brought him here. They're so young. I try to put him in light, summer clothes on
one of our worlds, on my own green world, Transoceia. It doesn't work.
"When is your next
mission?"
"I can't tell you, can I."
"Of course not."
He grins again. I can place him nowhere but here and
now. It's as if the North had to be
devised because he was. The air around
us changes density; a premonition of sound.
Below us, the black, hovering shape slowly appears again. There is something awful and majestic about
the stately revelation of such implicit, deadly force. It's like a rock hanging in the air. I'm forced to put my hands over my ears
because of the roar and this demonstration of human vulnerability disturbs the
boy. I take my hands down again.
"What will you do when this is
ended?" I shout.
He smiles and throws his head
back. "You southerners," he
shouts back and shakes his head.
"It won't end." It is a
proud assertion of mortality and
immortality.
I am myself again and so I am not
quite myself. When I returned home to
Transoceia after reporting the state of the North project to the Directorate, I
took five days and went to my home by the sea.
I wasn't sleeping well. Every morning I'd rise early and walk along the
stony shore. In places, the jagged,
Almen trees with their skewed, crazy limbs and simple, round, green leaves,
come right down to the water. Each
morning I'd stand on the rock at the point and look up and out towards the ring
of tall, rectangular buildings that is the university on top of the plateau
across the bay. From that distance, the
falls there are like a brightly polished silver thread.
After being in space for
twenty-seven days there is nothing to compare with sitting on a beach and
skipping pebbles. Suddenly there is so
much to see.
On the fourth day, as I stepped
outside, there was a gray shuttle resting on the beach, not more than a hundred
feet from my door. Though it was silent,
the intakes were still glowing red. The
door cracked the vacuum and slid open.
Johanis, Director of Public Works, took an unsure step down onto the
pebbly ground, and, when he was stable, smiled.
That was yesterday. Then it was morning; now it is night. I am in space again, on board one of our own
satellite stations waiting for the representatives of the Union to arrive. I walk back and forth in the small room,
stretching, trying to shake off the lethargy and disconnectedness. But it's an act for myself; something else is
wrong.
Finally, I sit down at the table and
watch the sequence of six views of the stars and Transoceia from every
direction pass methodically across the screen.
There is no apparent movement in any of the views and each image lasts
for at least ten seconds, which establishes a kind of restful rhythm.
I look through my notes on my
personal screen one more time. When I
look up to the viewing screen again there is a new star apparent in the star
field and it's moving. I stare at it but
then the image is replaced by another star field cut by an arc of
blackness: my world at night. A while later the ship docks and a soon after
that the door to the room slips open and the three representatives of the Union
come in. I stand.
"Where is General
Chancer?" The first and tallest of
three stops and looks around the room.
He has an orator's voice, silver hair and wolfish eyebrows. I can see the vessels in his eyes.
"General Chancer is the
Director of our Defense forces. I am
Jekell Gardner, Director of Diplomacy.
In the current administration, he is my subordinate; I am first speaker
of the Directorate. We're not at
war."
"Not yet." The orator says. All three of them are wearing gray suits,
each of a slightly different shade. They
are also wearing sashes emanating from a fitted silver plate at the
shoulder: a defense field generator
probably. I'm wearing a gray suit too,
by chance, and the irony is not lost on me.
Too late, I wish I'd brought someone
else along. "If you had decided to
go to war with us or had decided to threaten us with war to intimidate us, you
wouldn't be here. There would have been
no need. And there's none now. We're aware of your greater strength and
destructive abilities, just as you're aware of our neutrality. May we consider all of those preliminaries
satisfied? Please sit down."
The orator laughs and then so do the
other two. They go to three chairs on the
other side of the table. All four of us
sit at once, a subtle ceremony.
"I'm Lord Froider. You're better than Chancer. I like you," the orator says, still laughing. He is consistently condescending.
"Thank you."
"We're here because the war is
ending."
"Is it?" I say.
He looks very disappointed.
Good. "Would you mind
elaborating?"
"There is a planet, somewhere,
called "North" which you needn't deny knowledge of; we're aware of
your communication and trade with them, as indirect as it is."
"Yes."
"For two years it has preyed
upon our shipping and forces and we have done almost nothing about it. Do you know why?"
"We've wondered."
"I'll bet you have. They prey upon the Alliance as well, in fact
much more heavily. Over five times as
much according to the Alliance's own coded communiques, which is not
surprising. By the way, do you
understand how sensitive that information is?
Perhaps that will indicate the importance of this visit."
The Alliance, in spite of their
complaints, has done their job well. I
didn't expect that particular rationalization for tolerating North raids to
last this long, in spite of all the falsified wreckage. Maybe it didn't. The Union is as capable of deception as we
are. I nod.
"If the current trends
continue, and they will, the Alliance's industrial and shipping capabilities
will be completely destroyed by the end of the year."
"From what we know of the Free Alliance
that doesn't seem likely." I lean
back in my chair and fold my arms.
"I know what you mean," he
raises a furry eyebrow at me.
"Clearly they're receiving additional armaments and materials from
somewhere that we don't know about."
He grins. "We do know it's
not you. It’s but a last flash of flame as
the fire smothers. The war will
end."
"Then why are you here?"
"As I'm certain you can
understand, the existence of a large planetary association like the Traders,
albeit neutral, poses a constant threat.
All too easily it could become the infrastructure of another
rebellion. The Association will have to
be destroyed."
"Is this a declaration of
hostilities?"
"No, I'm merely stating the
obvious. A number of the more
strategically important Trader worlds will have to come under the Union's
aegis."
"And Transoceia?" I make a point of not moving. Of course it is all speculation; the Alliance
is stronger now than it ever has been.
But the man and his need to demonstrate force and power are squalid.
He laughs. "You're not an industrial giant, but
your technology is a concern. And, since
you have played such a significant role in Trader politics you are on the list." Now he shakes his head. I hate him.
"But there's something you can do that would shift the balance, so
to speak."
He wants me to ask. I say nothing.
"As I said before, we know of
your dealings with the North. We've
tried communicating with them but somehow our communications have been ignored,
or lost, or misunderstood. There seems
to be a need for someone to mediate between us, at least initially. It could make a significant difference to you
in the post war politics as it were."
"What about the North? Aren't they a threat?"
"No. Not really.
We're too much alike."
They burn their dead. A young pilot that I talked with during an
evaluation trip to the base on Avis, or rather the three quarters that were
left of him, was brought before us on an iron grate. They'd dressed him in his best flying
clothes, but had done nothing to hide his wounds: the crushed chest, the missing leg, the
charred burns. Then four men that had
flown with him hoisted the grate on to the tripod and stepped back. The lasers bloomed, crossed at his chest and
the corpse became a white hot fountain of hissing flame. I didn't know that flesh burned that way;
maybe they do something to the body after all.
The stern, gray haired pilot of our ship, Carole, who spoke the burning
words, is a man like me. He began life
as a trader from my world, shipping small appliances; now he is a
Northerner. He lives the lie.
"Out of the air,
Into the air,
The forking falls and rivers of
honor.
You fly before us."
The boy never was himself again or rather he
died as the self we made, and that he made, too. It seems we are only what we make of
ourselves.
I think Helst would have been
surprised. He, better than any of us,
appreciated the hubris of what we did.
But I think that even he assumed, in some way, that the inevitable
absences would be filled with our culture, and they are for those of us that
have had double lives. But for the
essential young ones, there are only absences.
They have no pity and love is something given to games and honor and
luck, not to others. Sometimes I think
they sense the emptiness and fill it with humor. Most of their events, particularly their
ceremonies, are short, even ironic. In a
few moments there was only white dust where the body had been and we went to
the ships.
Now we are falling into high orbit
around Transoceia. The ship creaks as we
pass from the light of the twin suns into the planet's shadow and the
temperature changes by four hundred degrees in seconds. I'm scared.
I'm forty years old and I'm more scared than the boys, than Carole, than
anyone. It isn't fair. I tell myself that I don't mind death or pain
and the lie is so shallow that I laugh aloud.
No one looks to see.
Earlier, I was frightened for
another reason: I thought we might
arrive in time and I was frightened that we might not.
What the Union is doing is
senseless.
On one of the visual screens we can
see what looks like a series of white storms flashing on and off and moving
quickly, north and south across the otherwise dark face of Transoceia. Networks of lightning, sometimes as much as a
quarter of the planet in length, scintillate around burning white cloud centers
which actually are intense, focused, city-diametered rays of microwaves. On the tactical computer screen, next to it,
the icons of the Union squadrons vector the same paths, relentlessly up and down
the planet, detonating nuclear weapons as energy sources for the rays.
Besides, the Union squadrons,
probably two hundred ships in all, there is one other black icon, signifying us
and showing our relative position. I
thought we might arrive in time but we didn’t.
"Communications Officer, it's
time, send," Carole says to me.
Finally, something else to
concentrate on. I can't make a mistake.
I don't. Our ship sends a burst of strategic
and tactical code. On the tactical
screen, a hundred other black icons appear as if from nowhere. The battle for the ruin of what was once my
world begins.
For
Jorge Luis Borges
Copyright
2014
All Rights Reserved
No comments:
Post a Comment